Saturday, September 11, 2010

Page 26

Friday, September 3, 2010

The story so far

I originally approached this project with a little to say about Finnegans Wake and a lot to learn about illustration. In a few months I’ll have been working on this project for a year, and although I still haven’t even finished chapter one, it feels like a good time to clarify some of my thoughts about the book (and, by extension, the project), and to reflect on what I’ve learnt through illustrating it.

The main reason I began this project was that I desperately needed something to force me to draw, and hopefully to improve. I chose this book because it seemed like something I could bring a unique perspective to: although there are certainly many better illustrators than me, the number of them that have read Finnegans Wake is probably quite small.

What I’ve managed so far is certainly far from perfect, but there are a few that I’m proud of, and I like to think that nearly all of them at least have the potential to be good, if I work on them for a while at some imagined time in the future. Most importantly, I’ve made a dedicated effort to minimise my use of filters, textures and other cheap tricks that disguise crappy work in much the same way that wood shavings cover up vomit at a funfair.
I’ve also started to home in a style that combines both what I think the project requires and what I actually enjoy doing. When I started, I told myself that jumping madly from style to style was the best way to serve the text — which isn’t entirely false, since chapter one leaps just as madly from one subject to another — but really, it was what I felt like doing at the time.

But at this point, I’m quite keen to work on developing just one style as best I can. So that’s what I intend to do as soon as I start work on chapter two (I probably won’t wait until chapter one is completely finished). Since chapters two to four follow basically the same story in more or less the same setting, I can convince myself again that a decision based on caprice is really the best way to honour the book.

Well, that's probably enough for now — I’ll save my thoughts about the book for another post. That about sums up how I feel about the way things are going, but I’d love to get some feedback to see what other people think!

Sunday, August 29, 2010

Page 21

Saturday, August 28, 2010

Page 22

As usual, you can tell it’s a little rushed, but I’m so behind!

Sunday, August 22, 2010

Page 25 24


Update: This is obviously not page 25 at all. It’s page 24, and I’m an idiot.

Monday, August 2, 2010

Page 20

Sunday, June 20, 2010

Page 19

Thursday, June 17, 2010

Page 12

Wednesday, June 16, 2010

Page Eight

Much as I love Henry Darger, I'm getting really tired of tracing.

Friday, June 4, 2010

Page 15

A quick one to get me back into it. This is a Moby Dick-inspired illustration for a Moby Dick-inspired line, in honour of this fantastic project by Matt Kish (whose surname, incidentally, would have pleased Joyce no end). (And whose birthday it apparently is today. Happy birthday, Matt!)

Back to work

Reunited with dogeared copy of Finnegans Wake: check
Laptop back from Applestore: check
Holiday almost over: check
Sick to death of other distractions/projects: check

I’ve got a lot of catching up to do.

Sunday, May 16, 2010

In a funk


I seem to be having trouble getting any of my pages finished at the moment, so here’s a portrait of the man himself to prove I’m still alive. I’ve just been too busy and under too much stress for the kind of work that these pages require. Plus the library demanded their book back. I’ll finally be reunited with my own copy in a week, so that’s something.

Monday, May 3, 2010

Page 16

Tuesday, April 20, 2010

Page Five

Friday, April 2, 2010

Page 27

Sunday, March 7, 2010

Page Seven

Friday, February 26, 2010

Page Six

Page Eighteen

Page Ten

Page Seven